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Thirty-Three Variations on the theme of
a Waltz in C major by A. Diabelli, Op. 120 is one of Beethoven's most remarkable
works, the culmination of a long evolution of structure in variation in his
music. This work was written in 1819 - 1823. It appeared in response
to the invitation of Anton Diabelli, a Viennese publisher and composer, to fifty
Austrian composers to write one variation each on a theme of his waltz in order
to publish them in collected works as one cycle.
Beethoven, who was among these composers, refused to take part in a collective
work and wrote a separate cycle of 33 variations which was brought out in 1823.
Written at the time of Beethoven's work on Missa Solemnis and the 9th Symphony,
the Thirty-Three Variations are an excellent example of late Beethovenian style and
one of the most remarkable treatments of variation form. The
unsophisticated theme of Diabelli's waltz in the spirit of an unpretentious
Austrian landler was developed by Beethoven's inexhaustible fantasy in a cycle
which is grandiose both in its scope and variety of moods.
Ludwig van Beethoven
33 Variations on A. Diabelli's Waltz
Thema.
Vivace |
Variations
I. Alla Marcia maestoso |
II. Poco Allegro |
III. L'istesso tempo |
IV. Un poco piu vivace |
V. Allegro vivace |
VI. Allegro, ma non troppo e serioso |
VII. Un poco piu Allegro |
VIII. Poco vivace |
IX. Allegro pesante e risoluto |
X. Presto |
XI. Allegretto |
XII. Un poco piu moto |
XIII. Vivace |
XIV. Grave e maestoso |
XV. Presto sherzando |
XVI. Allegro |
XVII. |
XVIII. Poco moderato |
XIX. Presto |
XX. Andante |
XXI. Allegro con brio. Meno Allegro |
XXII.
Molto Allegro alla
"Notte e giorno faticar" di Mozart |
XXIII.
Assau Allegro |
XXIV. Fughetta. Andante |
XXV.
Allegro |
XXVI. |
XXVII.
Vivace |
XXVIII. Allegro |
XXIX. Adagio, ma non troppo |
XXX. Adagio, sepre cantabila |
XXXI.
Largo molto espressivo |
XXXII. Fuga, Allegro. Poco Adagio |
XXXIII. Tempo di Menuetto, moderato
(ma non tirarsi dietro) |
Total Time
- 52:06 |
Svyatoslav Richter, piano
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